The LadyVom Manifesto

Once in a life time a band comes into existence that threatens our core ideals of music, artistry and taste. Spume Records are proud to introduce their newest, most dynamically dangerous acquisition, LadyVom.

An all-girl acidelectropopglamrock group in the style of Peaches, The Runaways, Devo and Minty these five luscious ladies deliver gut-wrenching, leg leaping, bile inducing music energy like a punch up the bracket. A volatile mix of raw female sexuality and bone rattling rhythm, these girls are on a jet powered piston into music history!

Spume Records owner Bilious T. O’Really discovered playing in a secret tunnel party in Errskinville and was immediately taken by the group kinetic, laser like intensity and their determination to keep playing even after the audience left. Described by critics as ‘five Iggy Pops, except some play instruments, and they’re girls too’, LadyVom are a force to be reckoned with!

Expaktro Vulgaris - Vox and Theremin
Not much is known about enigmatic lead singer Expaktro Vulgaris. Some believe she was raised by a family of mutes in far hidden village in the Las Hurdes region of Spain. She communicated only through Theremin till she spoke her first words at the age of twelve - ‘Benedict Cumberbatch’. Expactro’s dusky voice infused with mournful theremining and sensual, guttural screams lead LadyVom’s rich abrasive sound.

Alex Vomette - Bass

Known to the press as ‘the funny one’ Alex Vomette is indeed hilarious. She has been known to set the LadyVom tour bus on fire as a joke. But when it comes to her bass playing, Alex is as serious as the plague, standing on the corner of the stage like a stone Aztec goddess of pulsating cadence. Her lurching, grumbling bass line forms LadyVom’s heaving, queasy core. Guaranteed to make your stomach skip a beat.

Lizzie Whizzie- Drums
The first thing Lizzie Whizzie did when she left reform school was steal a drum kit and start playing for LadyVom. Unfortunately the band’s then drummer, Kaka Spiv, had no idea that she’d been replaced and the next couple of months were really awkward for everyone. Lizzie’s drumming thrashes and crashes like an American bull terrier in a steal cage, bring an animalistic rabid frenzy to the heart of LadyVom that’s oh so danceable!

Lady O’Barf- Lead Keytar
Daughter of nobility, Lady ran away from the gilded cage of O’Barf Manor at 16 and has been playing in underground acidpopelectropunk outfits ever since. She penned the iconoclastic ‘Give me all your cash, Stupid’ during her time with Haggy and the Dumdums, but soon left after a creative and romantic argy bargy with titular Haggy Von Moron. Her retching keytar riffs and explosive licks drive the steaming, speeding juggernaut that is LadyVom.

Pukesie Collins- Tamborine and percussion
If someone can beat a tambourine like it owes her money, it’s Pukesie Collins! This spicy unsettling firebrand of pure throbbing rhythm gives LadyVom its subtle mystery and delicate timing. The none-to-secret love child of Stevie Nicks and Rudi Van DiSarzio and Spider Dijon, this bangin' beauty is a multi-instrumentalist, master of the triangle, square and dodecahedron.

LadyVom’s demo single ‘Sick with Love (Hold my hair)’ is available to download on iTunes now, with their debut album Ewww due to launch on April 1^st, 2012

Costume Drama-Mama

Ladies of a particular generation and type! It’s Sunday evening yet again, and I don’t know about you but I am feeling the undisputable adolescent twinge that only comes when the Sunday night ABC costume drama should be only two hours away.

The first costume drama I remember watching during that time slot was Pride & Prejudice back in 1996 when I was 9, the one where Colin Darcy comes out of the lake wearing the wet shirt. After that I assumed that all costume dramas were enriching epic romances which were as good for the intellect as they were the soul. However, now that I am older, and perhaps wiser, I can see how insidious they really are, and how they given me a slightly skewed perception of romance and life.

Unrealistic Expectations I have developed by watching costume dramas through my formulative/adolescent years

1.All English dudes are handsome gentlemen who explain themselves eventually.

It’s true that there’s no ‘he’s just not that into you’ in costume dramas. If you are the heroine, everyone is into you, and they're all really hot in a sexually repressed way. All you have to do is pick the one with the most money. Even if a dude appears to actively dislike you, it’s only because he’s so besotted with you. Being incredibly rude, ignoring you and making your father bankrupt is the only thing keeping his propriety.

And at the end, once you’ve emerged unscathed from the siege of death, disenfranchisement and misunderstandings that constitute your life, you will get an explanation so eloquent and lovely and convenient that all the suffering worth it. Unless you’re Tess of the d’Ubervilles, because by that time, you’re already dead.

2. Your life as it is would be really great if it was transferred into that setting

You’ve seen Lost in Austen, where a modern girl goes into Pride & Prejudice land and manages to fuck everything up so amazingly that she can’t possibly fix it and Jane ends up Mrs Collins? Well the experience on the whole would be something worse than that.

Whilst I would be the daughter of a wealthy Industrialist, with two older sisters married, an allowance of 50,000 pound a year and a house in town, I would also probably be far too old to be married, far too single to be proprieties, far too sarcastic to be demure, and far too well educated to be content. I can’t play the piano forte, embroider or sing and I think I’d get so bored I’d start racing the servants for fun.

3.Bad guys are obvious from the beginning

A musical sting, an odd filming angle, a nose and a beard skulking around a corner. Oh, that must be the bad guy! I wonder who he’s about to beat with a cane or knock up or send to Australia? Dickensian baddies are just so obviously bad they make the lipstick on pantomime dames look subtle. When I moved to the city I was so busy listening for bassoons and watching out for pock-marked men with club feet lurking in doorways, I could get pick pocketed by green camels and not notice.

4.Ioan Gruffudd can act

He can’t. He just can’t. We all wanted it to be true to give us an excuse to demand his sculptured cheek bones and expressive eyebrows be in more things. Well, we got that what we wanted didn’t we, Rise of the Silver Surfer exists and we only have ourselves to blame. And you know what, I watched Hornblower the other week and not only does his name have hilarious homoerotic implications, he comes across as a bit of a weeny. Sorry.

5.Woman may be soppy objects for barter but at least we had lovely things

Are you kidding me with this one? Women those days had about four dresses that were supposed to last them years of their lives. They bathed infrequently and had no such thing as deodorant, shampoo, toilet paper or feminine hygiene products. Their silk, lace and linen dresses may have been beautiful masterpieces of haberdasherical engineering but they would have smelt worse than a dead tramp in January. More to the point, your hat offered little or no sun protection.

For an authentic experience of the Georgian wardrobe, wrangle your way into the BBC costume department. After years and years of being passed from Emma Thompson to Billy Piper to Gemma Arteron to Julia Sawalha, reused in endless productions from Fanny Hill to Watership Downs* those dresses would probably be so crusty with sweat, make up and soup from the catering van they would varily stand up by themselves.

*Before you say anything, I know, it's about rabbits, okay?!

Hack Literature: The Celebrity Story

I just finished reading The Bryan Ferry Story by Rex Balfour (1976), an unauthorised biography about my equal 1st favourite rock-star

For those of you that don’t know who Bryan Ferry is, he’s the front man of the 1970’s rock band/ art project Roxy Music, with a simultaneous solo career that’s been going on for about 35 years now. He was the guy who caused a bit of trouble about ten years ago when he was misrepresented as a Nazi sympathiser, when in fact he had just expressed a liking for the work of Leni Riefenstahl. Not the same thing, but deffinately not great publicity...

Whilst they may be no argument as to Ferry’s musical innovation, inspiration and slight genius, this biography portrays him as the mad stylish reclusive wizard who single handily invented music. An all-round toadying piece of fanatic clap trap.

Moreover, the book was written only three years into Ferry’s career and since then he’s had many more hits, fox-hunting children, divorces and affairs, not to mention the whole Nazi thing, and I can’t help but think ‘wouldn’t it have been better if they had waited?’

Something I have learnt about biographies is that they should be all about mystery, scandal and intrigue. A Kim Kardashian book would just not be interesting because we already know EVERYTHING about her. I don’t think there’s anything I could find out in a book about her and her deepest darkest personal life that I couldn’t find out by simply walking past a news agent. Her life is not so much as open book as it is a large billboard on Broadway, and I don’t care.

Biographies are also all about timing.

It’s strange when young or uninteresting celebrities get biographies about them before they’ve had enough life lived to fill them. I just looked on line and discovered that Justin Bieber has a biography, Justin Bieber: First Step 2 Forever- My Story. Isn’t he about five? To fill a 100+ page book he would have had to start doing coke and getting divorced in kindergarten. All I’m asking is wait until the story is at least two thirds through.

Having said that, it would be wrong to say that celebrities should put out biographies until they are dead, in fact it’s probably good that they don’t, because we know how the story ends and because it means that they can do a big old money grubbing sequel when their lives go to shit. Take for example Rolling Stones Guitarist mark III Ronny Wood, whose biography Ronny came out for Christmas 2007. Not even a year later later he was in rehab, on sabbatical from the Stones, broke and divorced living with a 21 years Old Russian model. I can’t wait to read about that in Ronny 2: Oops, my bad.

I picked up where The Bryan Ferry Story ended in 1975 with another book, the autobiography of his erstwhile fiancé Jerry Hall, Telling Tall Tales. In this ‘book’ Hall goes into great detail about the cuckolding she did to poor Bryan with Mick Jagger, as well as everything she didn’t like about Ferry and how mean he was. Not only was this the airing dirty laundry to the equivalent of putting shitty undies on your doorknob, but it made her come off as a naive, foolish, mean, vain and self-sensationalising moron, which is a shame because I actually like her. Tell all, but don’t be cruel, or people will laugh derisively at the fact that the perfect home life you were so happy about by the end of your book will end in within 20 years.

By contrast Keith Richard’s Life is a beautiful book, one of the best autobiographies I’ve read. It’s told in the spare and wandering style of Richard’s own words, which aren’t half as confused as one would expect. Love, fame, fall-outs, appalling excess and deaths creep into the narrative in a quiet, funny way without wallowing in appalling excess or praising his fortunes. Richard’s neither attempts to rationalise or descends to self-pity.

In short, I would advise you to read this book, and if you are a celebrity considering a biography, I would advise you to wait for your life to become more interesting and so that the disadvantages of hindsight don’t come back to bite you in the arse. I would also recommend a good ghost writer, my services are available.