Costume Drama-Mama

Ladies of a particular generation and type! It’s Sunday evening yet again, and I don’t know about you but I am feeling the undisputable adolescent twinge that only comes when the Sunday night ABC costume drama should be only two hours away.

The first costume drama I remember watching during that time slot was Pride & Prejudice back in 1996 when I was 9, the one where Colin Darcy comes out of the lake wearing the wet shirt. After that I assumed that all costume dramas were enriching epic romances which were as good for the intellect as they were the soul. However, now that I am older, and perhaps wiser, I can see how insidious they really are, and how they given me a slightly skewed perception of romance and life.

Unrealistic Expectations I have developed by watching costume dramas through my formulative/adolescent years

1.All English dudes are handsome gentlemen who explain themselves eventually.

It’s true that there’s no ‘he’s just not that into you’ in costume dramas. If you are the heroine, everyone is into you, and they're all really hot in a sexually repressed way. All you have to do is pick the one with the most money. Even if a dude appears to actively dislike you, it’s only because he’s so besotted with you. Being incredibly rude, ignoring you and making your father bankrupt is the only thing keeping his propriety.

And at the end, once you’ve emerged unscathed from the siege of death, disenfranchisement and misunderstandings that constitute your life, you will get an explanation so eloquent and lovely and convenient that all the suffering worth it. Unless you’re Tess of the d’Ubervilles, because by that time, you’re already dead.

2. Your life as it is would be really great if it was transferred into that setting

You’ve seen Lost in Austen, where a modern girl goes into Pride & Prejudice land and manages to fuck everything up so amazingly that she can’t possibly fix it and Jane ends up Mrs Collins? Well the experience on the whole would be something worse than that.

Whilst I would be the daughter of a wealthy Industrialist, with two older sisters married, an allowance of 50,000 pound a year and a house in town, I would also probably be far too old to be married, far too single to be proprieties, far too sarcastic to be demure, and far too well educated to be content. I can’t play the piano forte, embroider or sing and I think I’d get so bored I’d start racing the servants for fun.

3.Bad guys are obvious from the beginning

A musical sting, an odd filming angle, a nose and a beard skulking around a corner. Oh, that must be the bad guy! I wonder who he’s about to beat with a cane or knock up or send to Australia? Dickensian baddies are just so obviously bad they make the lipstick on pantomime dames look subtle. When I moved to the city I was so busy listening for bassoons and watching out for pock-marked men with club feet lurking in doorways, I could get pick pocketed by green camels and not notice.

4.Ioan Gruffudd can act

He can’t. He just can’t. We all wanted it to be true to give us an excuse to demand his sculptured cheek bones and expressive eyebrows be in more things. Well, we got that what we wanted didn’t we, Rise of the Silver Surfer exists and we only have ourselves to blame. And you know what, I watched Hornblower the other week and not only does his name have hilarious homoerotic implications, he comes across as a bit of a weeny. Sorry.

5.Woman may be soppy objects for barter but at least we had lovely things

Are you kidding me with this one? Women those days had about four dresses that were supposed to last them years of their lives. They bathed infrequently and had no such thing as deodorant, shampoo, toilet paper or feminine hygiene products. Their silk, lace and linen dresses may have been beautiful masterpieces of haberdasherical engineering but they would have smelt worse than a dead tramp in January. More to the point, your hat offered little or no sun protection.

For an authentic experience of the Georgian wardrobe, wrangle your way into the BBC costume department. After years and years of being passed from Emma Thompson to Billy Piper to Gemma Arteron to Julia Sawalha, reused in endless productions from Fanny Hill to Watership Downs* those dresses would probably be so crusty with sweat, make up and soup from the catering van they would varily stand up by themselves.

*Before you say anything, I know, it's about rabbits, okay?!